contents / sommaire
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This volume of essays assembles perspectives on Australian and Canadian fiction and culture from recognised scholars in the fields. Resolutely interdisciplinary in focus, it engages with these two nations through an examination of the discourses of ‘passage’ that reflect their status as postcolonial cultures. Through a variety of approaches - epistemological, historicist, biofictional, socio-semiological or poetic - grounded in postcolonial and gender theory, the contributions deal in concerns ranging from the sexual politics of New World contact to that of film, from celebrity as a construct to the poetic hybridity of First Nations writing. The collection as a whole raises pertinent questions about Canadian and Australian self-representations: in particular in terms of the gendered aspect of such representations and the place of the indigenous populations within them.
Introduction:
Australia and Canada: The Tropes of National Culture, the Culture in Literary
Tropes
Charlotte STURGESS
Part I:
Contact Zones: History, Rights, and Literary Rites of Passage
Rites of Passage in
Transatlantic Journeys
Françoise LE JEUNE
Mrs
Roxburgh’s Passage from Lady to Lubra:
Racial Stereotyping and the Fantasy of Indigeneity
in A Fringe of Leaves
Sheila COLLINGWOOD-WHITTICK
The
Passage of Fame: Margaret Atwood,
Carol Shields and Canadian Literary Celebrity
Lisa HAYDEN
Part II:
Transpositions: Indigeneity, Cross-Cultural Identities and
the Aesthetics
of Passage
Two-Spirits and Tricksters: Cross-cultural
Transpositions in Tomson Highway’s
Kiss of the Fur Queen
Susan Billingham
Readers’
Rites: Surpassing Style
Ian Henderson
The Poetics of Passage in
Thomas King’s Truth & Bright Water
Taïna Tuhkunen
‘Transliterations’: The Poetics of Cultural Transfer in
Larissa Lai’s When Fox Is a Thousand
Charlotte Sturgess
Part
III:
Passing Muster: Self-(Re)constructions, Narrating Live(s)
Becoming Julia: Passing as
a Male-to-Female Transsexual in Australia
David Coad
‘Passage’ and ‘Becoming’ in
Rose Boys, by Peter Rose
Christine Nicholls
Truth-telling: a Passage to
Survival in Doris Brett’s Eating the Underworld.
A Memoir in Three Voices
Jill Golden
Part IV: Place and Displacement: Passage(s), Cultural Sites, Figuration(s)
Kroetsch’s Pedagogy of the
Precarious: a Reading of Gone Indian (1973) and The Hornbooks of Rita
K (2001)
Claire Omhovere
Invisible and Indivisible Boundaries in David Malouf’s 12 Edmondstone Street
Deirdre Gilfedder
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Established in 2005, Canadensis, literally “of Canada”, is a collection of peer-reviewed volumes devoted to the study of Canadian literature, history, geography, politics and the arts. Each volume, placed under the editorship of a Canadianist colleague, gathers together articles written by European and Canadian scholars, reviewed by a panel of specialists on the chosen topic. This collection is partially funded by the Canadian Department of Foreign Affairs and International Trade, as well as the Centre de Recherche sur les Identités Nationales et l’Interculturalité (CRINI) at the Université of Nantes.
(Already published in this collection Atwood on her work: “Poems open the doors. Novels are the corridors”, Christine Evain editor.)
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